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Chapter 6 - RULES OF THE GAME

POV: Seraphine Vale

The dinner is a test Seraphine does not ask for.

She realizes this the moment she enters the great hall and every eye in the room turns toward her. Not curious looks. Not friendly ones. Calculating looks. The looks of predators assessing whether she is prey or threat.

The wardrobe Darian provided is beautiful and expensive—a deep blue gown that costs more than her father's entire estate was worth. It announces to everyone present that she has the king's favor. Which means everyone present is now trying to figure out why. And whether they can use that to their advantage.

She learns the rules quickly because survival demands it.

Rule One: Watch everything. Listen to conversations that are not directed at you. Notice which lords speak freely and which ones measure every word. Notice which ladies smile at each other and which ones are enemies dressed in courtesy.

Rule Two: Do not volunteer information. Let people assume what they wish. A confused opponent is easier to read than one who has the truth.

Rule Three: Never eat or drink anything that is offered unless you have watched it prepared.

Seraphine stands near a marble pillar and does exactly what the king asked her to do. She watches. She listens. She absorbs the rhythm and language of power at the royal table. Three lords argue about border taxes. A general and a minister disagree about military spending. A duchess makes a comment about bloodlines that makes two other noble families go very still.

Everything here is a negotiation. Everything is power.

The king sits at the head of the table, and he barely speaks at all. He simply listens. Sometimes he nods slightly. Sometimes his dark eyes move from one speaker to another, calculating something Seraphine cannot quite read. And every single person at that table watches him more than they watch each other.

After the meal, Darian leaves the dining hall abruptly. A signal passes through the room—a subtle shift in the guards' posture that tells everyone the evening is concluding. Seraphine waits until most of the guests have dispersed, then moves quietly toward the corridor where Darian disappeared.

She finds him in an empty hallway speaking with three of his most powerful lords: Lord Marchand, who controls the empire's largest army. Lord Vexley, who oversees the royal treasury. And Lord Ostrom, who manages the secret police that keeps the empire's borders secure.

They are dangerous men. All three of them. But they stand before the king like subordinates before a master.

Darian speaks to them in a low voice. Seraphine cannot hear the words, so she moves slightly closer, keeping to the shadows. A servant would not be questioned if discovered. A guest moving through the palace is unremarkable enough.

"The eastern shipments are delayed again," Lord Marchand says. His voice carries frustration. "We need those weapons before winter."

Darian does not look up from something he is reading. "Then find out why they are delayed."

"We have tried, Your Majesty. The suppliers claim—"

"I do not care what they claim." Darian's voice is still quiet, but something in it turns the temperature of the entire corridor cold. "I care about results. Get the shipments. Or get better suppliers. I do not accept excuses."

The three men exchange glances. All of them look like they want to argue. All of them look like they want to explain the complexities of the situation. All of them look like they want to tell their king that what he is asking for is impossible.

But none of them say a word.

Instead, Lord Marchand simply bows. "It will be done, Your Majesty."

The other two nod their agreement. And Darian returns to his reading as if the matter is resolved. As if three of the most powerful men in the empire do not stand before him waiting to be dismissed.

It takes fifteen seconds before they understand that the conversation is over. Then they bow and leave.

Seraphine watches them go, and understanding settles in her chest like a stone.

These men are not afraid of disobeying their king. They are afraid of what happens if they do. There is a difference. A crucial one. Fear that is earned through consequences is far more powerful than fear that comes from cruelty. It is a fear rooted in absolute certainty.

She steps out of the shadows.

Darian's head lifts immediately. His eyes find her with the kind of speed and precision that suggests he knew exactly where she was the entire time. Which means he let her follow him. Which means this is another test.

"Your Majesty," she says carefully. "I apologize for the intrusion. I was returning to my room when I witnessed—"

"You were listening," he corrects. Not unkindly. Just stating a fact. "You are learning quickly."

He sets down his papers and stands. The corridor suddenly feels very small. Very private. There is no one else here now. Just the two of them and the guards at each end of the hall who know better than to interfere.

"They are all afraid of you," Seraphine says. She has learned that honesty is sometimes safer than careful circumvection. "Those three men. They would do anything you asked, even things they believe are impossible."

Darian walks toward her slowly. "Is that an observation or an accusation?"

"Neither." She lifts her chin. "It is a statement of fact. And I am trying to understand how you think."

He stops in front of her, and the space between them becomes charged with that same energy from the study. Up close, she can see the exhaustion beneath his composure. Can see the weight he carries in the careful control of his expression. Can see that being a king is not a triumph to him. It is a burden.

"Fear is a tool," he says quietly. "Use it correctly, and people do what needs to be done. Use it incorrectly, and you create enemies who will betray you the moment they see weakness."

"And you use it correctly?"

"Until now, yes." His dark eyes search hers. "But you are teaching me that fear is not the only tool that works."

Before Seraphine can respond, a commotion erupts somewhere deeper in the palace. Shouting. The sound of something heavy falling. Then screaming — the same kind of anguished screaming she heard her first night in the palace.

Darian's entire body goes rigid.

His hand moves to his side where a sword would normally hang, but he is not armed in the palace. His jaw clenches. His eyes flash with something raw and terrible—pain, rage, desperation all tangled together.

"What is that?" Seraphine asks.

"Nothing." He turns away from her, his voice suddenly flat. "Go to your room. Now."

"Your Majesty, if someone is hurt—"

"Go. To. Your. Room." Each word is a whip. Cold. Final.

The guards at the end of the corridor are suddenly moving toward him, waiting for orders. And Seraphine understands with perfect clarity that something is very wrong. That whatever is behind those locked doors is not just a prisoner. It is something that reaches into the king himself and destroys his control.

She does not argue. She turns and walks back toward her suite, but she can still hear the screaming echoing through the palace stones.

And she understands for the first time that King Darian Ashvael is not just dangerous to his enemies.

He is broken.

And whatever breaks him is locked away somewhere in the darkness of his own home.

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