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I Became the Villain in My Own Script

ALABI_ENIOLUWA
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The average realized release rate over the past 30 days is 7 chs / week.
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Synopsis
As the screenwriter, I crafted the perfect villainess, beautiful, wicked, and destined for a brutal death. Then I woke up as her. Now, I'm trapped in my own story, my body a puppet to the script I wrote. To survive, I must ally with the very man I created to be my executioner: the ruthless Second Prince. But as I fight the narrative, I'm losing my heart to him, and the story's original heroine is watching her perfect fairytale turn into a nightmare. The villain is supposed to die, but I'm the author, and I'm ready to change my fate.
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Chapter 1 - Chapter 1: "It's Just a Story."

INT. EDITING BAY - NIGHT

The only light in the cavernous room comes from the massive monitor on the wall, a stark, cold rectangle that bleeds into the darkness. On the screen, a woman in lavish, blood-red robes kneels on a rain-slicked stone floor. Her hair, a cascade of jet-black silk, is plastered to her pale cheeks by the downpour. Her face is a mask of defiant agony, her dark eyes burning with a hatred so pure it's almost beautiful.

A sword, gleaming like a sliver of captured moonlight, is pressed to the delicate skin of her throat.

The image freezes.

A hand, elegant and manicured with a perfect, glossy nude polish, reaches out from the shadows and taps the spacebar on the console. The hand belongs to AN WEIYUN (30s), sharp, poised, and looking utterly, profoundly bored. She sits in a high-backed leather chair that seems to swallow her small frame, a half-empty glass of champagne sweating on the console beside her.

Across from her, LI (50s), a portly, effusive producer with a face that seems permanently stuck in a state of excited flush, bounces on the balls of his feet. He can't stand still. He's a bundle of nervous energy, a live wire crackling in the sterile silence of the editing bay.

LI
> (Beaming, his voice a boisterous whisper) > Brilliant, Weiyun! Absolutely brilliant! We just screened the final cut of the death scene. The test audience wept. I mean, *wept*! Full-on, shoulder-shaking, ugly-cried wept! The ratings are going to be through the roof. We're looking at a cultural phenomenon.

An Weiyun picks up her glass, swirling the amber liquid. The bubbles cling to the sides, tiny, frantic prisoners. She doesn't look at him. Her eyes are fixed on the frozen image of the dying woman, her creation. Mei Lian.

AN WEIYUN
> (Cool, detached) > Of course they wept. I wrote it to be brutal.

She takes a slow, deliberate sip of champagne, savoring the sharp, clean taste on her tongue.

AN WEIYUN
> It's not a death; it's a masterpiece of poetic justice. The villainess, Mei Lian, gets exactly what she deserves. It's memorable, it's visceral, and it's the perfect trailer hook. You can cut the entire season from that one thirty-second clip.
LI
> The way she looks up at the Second Prince right before the end… that mix of hate and regret. It's not just a look, it's a whole story in her eyes! Chilling! You've outdone yourself. The network is already talking about a sequel.

An Weiyun finally turns her head, a faint, humorless smile touching her perfectly lined lips. She sets her glass down with a soft, definitive click that cuts through Li's enthusiasm.

AN WEIYUN
> There is no sequel. The villain is dead. The hero and heroine ride off into the sunset. That's the formula. Don't get greedy.

She leans back, the leather of her chair sighing under her weight.

AN WEIYUN
> I simply understand the mechanics. The audience needs a clear hero, a pure heroine, and a villainess so irredeemable that her downfall feels like a personal victory for them all.

She gestures lazily with a manicured finger at the screen, at the woman frozen in her final moment.

AN WEIYUN
> Princess Ning'er is the heart of the story. All light and goodness, the audience's surrogate. Xiao Jue is the sword. Stoic, honorable, the embodiment of justice. And Mei Lian… she's the shadow that makes the light shine brighter. She's the obstacle, the test. Her death isn't an ending; it's the catharsis that sells the whole damn fairytale. It validates their belief in good over evil.
LI
> (Shaking his head in awe) > You're a genius, Weiyun. A cold, calculating genius. I swear, sometimes I think you enjoy writing her misery more than you enjoy writing their happiness.
AN WEIYUN
> (A glint of something dark in her eyes) > Of course. Misery is more interesting. Happiness is static. Conflict is dynamic. I'm not selling comfort; I'm selling emotion. The highest highs and the lowest lows. And Mei Lian's low is the foundation of this entire empire.

She says it without a trace of arrogance, as if she were a physicist explaining the law of gravity. It's not an opinion; it's an undeniable fact in her world.

AN WEIYUN
> Stories aren't real, Li. They're products. Carefully engineered, precision-tooled machines designed to elicit a specific, predictable emotional response. Characters are just puppets. I'm the one who holds the strings. I pull them, and the audience cries and cheers and pays their subscription fees. It's the oldest business in the world.

Li just stares at her, a mixture of fear and reverence in his eyes. He knows she's right. Her last three dramas were smash hits, each one a masterclass in emotional manipulation.

LI
> Well, your puppet show is a smash hit. The network is ecstatic. They want to throw a launch party. The press is clamoring for an interview with the "Queen of Tragedy."
AN WEIYUN
> (Waving a dismissive hand) > No parties. No press. Let the work speak for itself. Just send me the final numbers when they come in.

She rises from her chair, grabbing her blazer from the back. The meeting is over.

AN WEIYUN
> Now, if you'll excuse me, I have another villain to break. It's time to go to work.

INT. AN WEIYUN'S APARTMENT - LATER

The city sprawls below her floor-to-ceiling windows, a glittering carpet of lights that stretches to the horizon. The apartment is minimalist, chic, and almost painfully sterile. White walls, white furniture, chrome accents. It looks less like a home and more like an art gallery where no one is allowed to touch anything.

An Weiyun kicks off her heels, not bothering with the lights. She moves through the dark space with practiced ease, shedding her blazer and letting it fall onto a pristine white sofa. She unzips her dress as she walks toward the bedroom, stepping out of it and leaving it in a heap on the floor—a rare act of disorder in her meticulously controlled life.

She collapses onto her large, modern bed, the scent of high-thread-count cotton and faint city rain filling her senses. The only sound is the distant, muffled hum of traffic, a soothing lullaby to her.

Her phone buzzes insistently on the nightstand. She glances at it. The screen is a flood of notifications. Texts from Li, emails from her agent, mentions on social media. All about the show. All about her.

One text from Li stands out.

LI (TEXT):The early numbers are in. We're a phenomenon. You did it again, you magnificent witch.

A small, satisfied smirk plays on her lips in the darkness. She lets the phone drop onto the duvet, her eyes already drifting closed. The buzz of success and the lingering warmth of the champagne are a pleasant, heavy blanket, pulling her down into sleep.

Her final thought before the darkness pulls her completely under is not of the hero or the heroine. It's of the villainess, of the perfect, tragic arc she had crafted. It's a quiet, smug whisper in the darkness of her own mind.

AN WEIYUN (V.O.)
> It's just a story. And it's a damn good one.

FADE TO BLACK.