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The Eye of the Sea​

That night after finishing The Eye of the Sea, I closed my laptop and walked to the balcony in Huinan, Shanghai.

The March night wind carried the earthy scent of early spring, and suddenly I remembered the dusk twenty-eight years ago when I got lost on the edge of Lop Nur alone.

I was twenty then, with only half a bottle of water left in my backpack and no cell signal.

I sat on a sand dune, watching the sun sink little by little, and instead of thinking "Will I die?", I found myself wondering: "If I died here, would anyone come looking for me like Ma Shiliu searched for Sai La?"

Later, I survived.

But that question stayed with me like a seed buried deep in my heart.

Until the summer of 2025, when I saw a Tang Dynasty mural in the Mogao Grottoes at Dunhuang— a group of people of different skin tones gathered around a spring, with a glowing blue ribbon painted above it.

I froze.

In that moment, I knew I had to write this story.

Writing this book was harder than I ever imagined.

I revised the outline three times and cut nearly 40,000 words of "fluff" just to make Ma Shiliu's persistence feel more real and Sai La's kindness more moving.

I even traveled to the edge of the Taklamakan Desert, rented a camel, and walked for three days.

I didn't write a single word during those days—just stared at the stars at night.

And I finally understood: True oases are never on maps.

They lie in the direction you're willing to get lost in.

To everyone who has read this far—thank you.

If you've ever stayed up late at night, aching for a place you can no longer find, a person you can no longer reach, or a dream that's slipped through your fingers,

this book is for you.

May you find your own "Land of a Thousand Springs" in this life.

And may you, once you find it,

be willing to bring that sapphire back to the world—just like Ma Shiliu did.

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March 2, 2026

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