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Chapter 5 - THE MAN FROM THE TEXTS

Nadia's POV

-

I almost don't go to Heron Street.

I stand in the bathroom at 6:45 AM with my hands on the sink and have a full conversation with myself about all the reasons walking toward an unknown person who has been watching me is the single stupidest thing a woman in my position could do. I know what strangers who know too much about you look like in a crisis. I treated three of them in the last timeline before I understood that knowledge, in the wrong hands, is just a weapon wearing a helpful face.

But my ability has been pushing toward that street since I woke up.

Not warning me away. Pushing me forward. Like it knows something my fear doesn't.

I go.

-

Heron Street is quiet at 7 AM. I arrive four minutes early and stand where I can see both ends of the block and I wait with my hands loose at my sides the way I learned to wait in the last timeline when waiting was the only thing left to do.

He comes from the east end of the street.

I feel him before I see him - the ability in my chest detonating like a compass needle that has finally found north after spinning for days. It is so sudden and so strong that I actually take a step back, which I hate myself for immediately because stepping back is something the old Nadia did and I am not her anymore.

He stops walking when I step back. Like he expected it. Like he has rehearsed this exact moment and knows that rushing it is how it falls apart.

He is tall. A scar runs along his jaw that looks years old. The shadows under his eyes are the kind that no amount of sleep fixes because they come from the inside, from things seen that cannot be unseen. He looks at me the way people look at something they were afraid they would never see again.

Not like a stranger.

Like a man who has been carrying a grief with my name on it.

He walks toward me slowly and stops two feet away. Close enough to talk. Far enough to let me run if I decide to.

"You're earlier than I expected," he says quietly. "Or maybe I'm later than I should be."

My ability is humming so loudly I can barely think over it. "You sent the texts," I say. Not a question.

"Yes."

"You were near the coffee shop yesterday. That crowd."

"Yes."

"You've been watching me."

"For four months," he says, and the honesty of it - no apology, no softening, just the plain fact laid out for me to do whatever I want with - is so unexpected that I don't immediately respond. "I know how that sounds. I also know you've been back for three days and you've already filed for divorce, rented a storage unit under your maiden name, started pulling Felix Okafor into your circle, and identified Darnell on the security desk as someone worth keeping alive." A pause. "Am I wrong?"

The air goes out of me.

Not because he's right. Because the only way he could be that specific is if he has been inside my plans somehow, and I have not written any of this down anywhere that anyone could access, which means he didn't read it.

He knew it.

"Who are you," I say. Flat. Not a question this time either. A demand.

He holds out his hand. "Kieran Vale. I died in the outbreak. I came back. I came back with something - the same way you did." His eyes drop to my collarbone for just a second, where the ability sits. "And I've been in this city for four months trying to get to you before everything gets loud." His hand is still out. Patient. Steady. "I know what's coming. And I know you do too."

I look at his hand for a long moment.

I don't take it.

"Talk," I say. "Everything. From the beginning."

-

He talks for twenty minutes.

He tells me he came back fourteen months ago in a different city. That his ability lets him feel structural weakness in objects and people - where things are closest to breaking. That he spent six months after coming back just trying to understand what he was before he started building toward this moment. That he found my trail through hospital records and transfer logs and one very specific supply order I apparently made in month three of the last outbreak that was unusual enough to stand out even in chaos.

He tells me he sent the first text from outside my building on day one because he needed to know if I was awake yet. He tells me the car alarms were an accident - a side effect of his ability misfiring when he got too close to me before I was ready.

He does not tell me everything. I can feel the gaps. But what he does tell me is internally consistent in the way that only true things are, and my ability sits warm and certain in my chest the entire time he speaks, not straining or warning, just quietly and steadily present.

Like it recognizes him.

Like it has always recognized him.

"Why me?" I ask when he finishes. "You came back to a different city. You had a head start. You could have built something without me."

Something crosses his face. Fast, like a door opening and closing before you can see what's inside the room.

"Because in my timeline," he says carefully, "you were the one who almost got it right. You had the right instincts and the right skills and the wrong people around you. I came back to fix the wrong people part."

It is a reasonable answer.

It is also not the whole answer.

I let it go. For now.

"The texts," I say. "Someone texted you. She knows about you. I need to know who that was."

His jaw tightens. The scar pulls. "So do I."

"You don't know?"

"No."

I study him. The ability pulses once - warm, certain, calm. Not pushing me toward him or away. Just acknowledging that he is real and present and exactly what he says he is.

Which terrifies me more than if he had been lying.

Because if he is telling the truth, then someone in this city knows about both of us. Someone who understands what we are and what we're doing. Someone we haven't found yet.

My phone rings.

I look down.

Marcus.

I let it ring. It stops. Then immediately starts again. Then stops. Then a text comes through - not from Marcus's number. From the unknown number. The same one that has been texting me for three days.

Except this time it isn't a warning.

It's a photograph.

Me and Kieran. Standing right here on Heron Street. Taken from close enough that whoever took it was within fifty feet of us less than two minutes ago.

And written below it, four words that make my ability go completely, utterly silent for the first time since I woke up -

I've been watching longer.

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