Cherreads

Chapter 15 - Doubt & Anxiety

He woke up on Saturday to forty-seven notifications.

He lay in bed and looked at the ceiling for a while before checking any of them. This was new behavior — two months ago he would have checked immediately, the reflex of someone who monitored the edges of things. Now he lay there and let the ceiling be a ceiling and let the notifications be notifications and gave himself the length of a breath before the day started.

Then he checked.

The stream had done what streams did when they caught a current. The clip of the face reveal announcement had been shared to four separate platforms. The viewer count on the archived stream had climbed to sixty-eight thousand overnight. The NightVoice follower count had added twelve thousand in eight hours.

He put the phone down.

He picked it up again.

The forty-seven notifications included: twenty-two platform alerts, nine messages from The Hollow members through the server DM system, three from sonicarchive specifically, one from PixelDrift that was just three consecutive messages of increasing punctuation, and — he scrolled — one from mira_from_nowhere, sent at 7:43 AM.

mira_from_nowhere: I keep thinking about the cartographers. About filling in blank spaces with 'here be monsters' because unknown isn't the same as empty. I think that's the most honest thing you've said. And you've said a lot of honest things.

He read this twice.

He typed: I've been thinking about it too.

He looked at what he'd typed.

He deleted it.

He typed: The cartographers were the right metaphor. I've been putting 'here be monsters' on a lot of territory that I've never actually visited.

He deleted that too.

He typed: Good morning.

He sent that.

He put the phone down.

He lay in bed for another twenty minutes doing nothing.

The anxiety arrived, as it tended to, not at the moment of decision but afterward.

During the stream he'd been calm — or something that functioned like calm, the steady operational state of someone who has committed to a course of action and is executing it. He'd been in the room with the microphone and the blue light and the words had come out true and he'd felt, in the moment, like a person who had made the right call.

That had been last night.

This was morning.

Morning was different. Morning had the full inventory of consequences available for review.

He had told fourteen thousand people he was doing a face reveal.

He had told the platform that now had eighty thousand followers that he was doing a face reveal.

He had told himself, in the coffee shop, that after tonight he would tell Mira everything.

It was after tonight.

He had not told Mira everything.

He had also, he now realized, said on my terms, soon to fourteen thousand people and VOXCRYPT, and VOXCRYPT had said shifted, not gone, which meant VOXCRYPT was waiting, which meant soon had a clock on it that he couldn't see but could feel ticking.

He sat up.

He looked at the microphone.

He thought about what on his terms actually required. The practical sequence. Camera. Lighting, probably — he'd done enough research into streaming setups to know that bad lighting was its own kind of reveal, told its own unflattering story. Angle. What he wore, which shouldn't matter but did. What he said.

He thought about his face in the bathroom mirror. He'd been up to six seconds, lately.

He went to the bathroom. He stood at the mirror.

He looked.

He tried to see it the way a stranger would see it — a first impression, no context, no voice preceding it. He tried to see the face without the story he'd been telling himself about it for years.

It was hard.

The story was very old.

He went back to his room.

He opened the notebook. He looked at the two columns. He looked at because I want to, more than I'm afraid to.

He still didn't know if that was true.

He thought: when did it stop being enough to just know the voice works.

He thought: when she came in.

The Hollow was active by midday.

He wasn't in voice — he hadn't joined voice yet, wasn't sure he was ready for the density of it, the full-contact reality of being NightVoice the day after the stream. He was in text, reading, occasionally responding. The server had new members — people who'd followed the link from the stream, fifteen of them in the past twelve hours, finding their way in the way new people found their way: quietly, testing the temperature.

He watched Mira in the text chat.

She was talking to one of the new members — glass_archipelago, who had introduced themselves as having watched the stream from the beginning and stayed for the cartographers. Mira was asking them what had brought them to voice content in the first place. It was, he recognized, the same question she'd been asked, the first night she'd come. She was paying it forward, the way people did in good communities when they understood why the question mattered.

He watched her be good at it and felt, privately, the specific thing he'd been trying not to feel for weeks.

Then glass_archipelago said:

glass_archipelago: honestly I found the original clip and then I started listening to other recordings and I couldn't figure out if NightVoice was talking about a real person in the new chapter piece or —

mira_from_nowhere: the boy who learned to disappear?

glass_archipelago: no the newer one — the section about someone who reads things and thinks of a specific person while reading. did you hear that part?

Kiran went very still.

He knew what part glass_archipelago meant. Three weeks ago, in the channel, he'd been reading an article about resonance — acoustic resonance, how objects vibrated at frequencies determined by their structure — and had gone briefly off-script, the way he sometimes did, following a thought: I think some people are like that. They have a natural frequency and when they find someone who vibrates at the same rate, everything in both of them gets louder. I think about that sometimes. I think about a specific person when I read that.

He'd said it and kept going and hadn't revisited it.

mira_from_nowhere was quiet for a moment.

Then: yes. I heard that.

glass_archipelago: do you think it was about a real person?

mira_from_nowhere: ...

mira_from_nowhere: yes. I think it was about a real person.

He read this.

He thought: she knows.

He thought: she suspects.

He thought: how much does she suspect.

He thought about the coffee shop. About almost exactly what he said. About he had a nice voice. About but that's not quite it.

He thought: she's been putting things together and being too careful to say it and I've been watching her be careful and being too afraid to help her.

He typed, into the text chat:

NightVoice: it was about a real person.

The chat went quiet.

mira_from_nowhere: ...

glass_archipelago: oh

He looked at Mira's three dots, appearing and disappearing.

She didn't say anything else.

That night, the anxiety did the thing anxiety does when you've been managing it well for long enough: it stopped responding to management.

He knew the shape of it. He'd lived in it long enough. It wasn't dramatic — not panic, not a crisis, just the slow pressurizing of a sealed space. The way a room feels when the windows have been closed too long.

He sat at his desk and tried to write the stream notes. The practical list: camera position, what to say, how to open. He'd done research, quietly, into face reveals in online communities — how they went well, how they went badly. The ones that went badly had a consistent quality: the creator was apologizing, either explicitly or in their affect, for the gap between the fantasy and the reality. Arriving with the energy of I'm sorry it's just me.

He did not want to do that.

He also didn't know how not to do it, because the apology lived in him at a cellular level, the long-trained reflex of pre-emptively diminishing before someone else could.

He opened a message to Mira.

He typed: Are you around?

mira_from_nowhere: yes. channel?

NightVoice: Can we just text tonight? I don't think I'm up for voice.

A pause.

mira_from_nowhere: of course. what's going on.

He looked at the question.

He typed: I announced the stream and now I have to do the stream and I'm —

He paused.

I'm scared, he typed.

He looked at it.

He sent it.

mira_from_nowhere: I know.

mira_from_nowhere: can I ask what specifically scares you?

He thought about how to say it. He typed: The face reveal isn't just a camera going on. It's — it's the end of the controlled version. Right now I control what people see. I give them the voice and the stories and I curate what gets through. After the camera goes on, the curation ends.

mira_from_nowhere: and you're afraid of what's there without the curation.

NightVoice: yes

mira_from_nowhere: Kiran.

NightVoice: yeah

mira_from_nowhere: I want to say something and I need you to hear it clearly.

NightVoice: okay

mira_from_nowhere: I have been listening to you for four months. I know how you think. I know what you sound like when you're being careful versus when you're being honest. I know the specific pause you do before you say something true.

mira_from_nowhere: and I know that you are not a voice and a curtain. You're a person who found one door into themselves that worked and has been standing in that doorway for four years because the other doors felt too heavy.

mira_from_nowhere: the voice is real. but it's not all of you. and the rest of you — whatever you look like, however you move through the world — is part of the same person who reads about cartographers and Tunguska and talks about acoustic resonance at 2am and makes people feel less like they're a layer back from their lives.

mira_from_nowhere: that person is worth the camera.

He read this for a long time.

He thought: she's talking about NightVoice. She doesn't know she's talking about Kiran.

He thought: she's talking about both.

NightVoice: you don't know what I look like.

mira_from_nowhere: no.

mira_from_nowhere: but I know a guy who takes the long route to avoid crowds and is learning to take the regular path. I know that. And that person is doing something harder than a face reveal every Tuesday and Thursday.

He stared at this.

I know a guy who takes the long route.

She couldn't know that from the channel. He hadn't said that to NightVoice's audience. He'd said it to her — to Mira — in text, in their private messages.

But he'd also said it to her in the coffee shop, obliquely, in the conversation about routing around hard things.

She was putting it together.

He didn't know how much she'd put together.

He typed: how do you know about the long route.

A pause. Longer than her usual pauses.

mira_from_nowhere: you told me.

NightVoice: I told NightVoice's audience. Or I told you in private messages.

mira_from_nowhere: yes.

NightVoice: which one.

A very long pause.

mira_from_nowhere: Kiran. Get some sleep. The stream isn't tonight.

mira_from_nowhere: you're going to be okay.

He looked at the deflection. At the kindness of it. At the way she'd taken his question and turned it into care instead of answering it.

He thought: she knows something. She's not saying it. She's waiting for me.

He typed: goodnight, Mira.

mira_from_nowhere: goodnight.

He closed the laptop.

He lay in the dark.

He thought: she's waiting for me to come through the door.

He thought: tomorrow.

He thought: no more laters.

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