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Chapter 6 - Plastic Chairs

"Yes."

My body said it before my brain cleared it. The same body that had been keeping a ledger of his touches for two days, the same body that had counted five fires through Gore-Tex an hour ago and found the fabric insufficient. The mountain was gold behind him and my legs were spent and the margin between what I wanted and what I'd admit was gone.

"But not anywhere you'd take me. Somewhere the staff eats. Not the guests. Not the tourists. Somewhere a lift operator goes after a ten-hour shift because the food is good and nobody's performing."

Something crossed his face I hadn't seen before. Not composure. Not patience. Surprise—the kind a man can't fake when someone asks for the opposite of what he was planning to offer.

"I know a place," he said.

Twenty minutes later we were sitting in a pizza-by-the-slice shop on a side street. Plastic chairs. Paper plates. A cooler full of cheap beer. The guy behind the counter called Cole by name and didn't seem impressed, which told me he'd been here before and often enough to be ordinary.

Cole Ashford—ordinary. Sitting across from me in a plastic chair with pepperoni on a paper plate and a can of Coors, ski jacket unzipped, hair still damp from the helmet. No hostess. No man by the door. No folder. Just a man eating pizza with a woman who'd told him where they were going and watched him follow. His collar was open and I could see the base of his throat—the hollow where his pulse lived, the skin I'd been pretending I didn't want to put my mouth on since Vintage. I looked at my pizza instead.

"You said you grew up where the land was the only thing that mattered," I said. "Where."

He took a drink. Set the can down. I watched his hands—I was always watching his hands—and they were different here. Looser. Unguarded. The fingers that had traced my shoulder and gripped my arm and pulled my chair were just holding a beer can, and somehow that was worse. Dangerous Cole I could fight. Ordinary Cole with loose hands and an open collar made something ache behind my ribs that had nothing to do with anger.

"Limon. Eastern plains. Eight hundred acres—cattle and wheat. My grandfather built the house."

"Had."

"Had. Water rights dispute. A developer with connections to the AG's office. We lost the way people without money always lose—slowly, expensively, and completely. I was seventeen."

He said it the way you say something you've carried so long it's worn smooth. No anger. No performance. Just the shape of the thing that made him.

"Your father?"

"Died four years later. Rented an apartment in Aurora. Nothing left but a truck he couldn't insure."

A truck he couldn't insure. My father drove a Tacoma with 180,000 miles he couldn't insure either. Two men, two trucks, two different kinds of losing—the same helplessness underneath. I hadn't expected to recognize anything in Cole Ashford's history. I recognized this. And the recognition did something the heat hadn't—it made him real. Not a predator, not an architect, not a man with a folder. A boy who'd lost a ranch and built a fortress so he'd never lose again.

"So you built Palisade."

"The architecture had to be something you couldn't seize because you couldn't separate the pieces." He looked at his hands. "It had to be a fortress."

"And I'm inside it."

"You're not inside anything." The same words he'd used on the chairlift. But they sounded different in a plastic chair with pizza grease on his fingers and his guard down for the first time. Smaller. Almost honest. And I wanted to believe him—not the way my body wanted him, not the heat, but something worse. The kind of want that has nothing to do with shoulders or thumbs or scent. The kind that says: this person knows what it costs to build something from nothing, and maybe they won't take yours.

We walked back through the village in the cold. He didn't touch me. Hands in pockets, matching my pace, saying nothing. After a full day of his thumb, his thigh, his fingers, the sudden absence of contact was louder than the contact had been. I could feel the six inches between his arm and mine like a wire pulled taut.

At the condo door he stopped.

"Thank you for dinner," he said. Like I'd taken him somewhere. Like pizza and plastic chairs and cheap beer had been a gift instead of a test.

"You paid."

"That's not what I'm thanking you for."

He held my eyes. The streetlight caught the hollow of his throat again and my body screamed at me to close the distance—two feet, maybe less—and put my mouth where my eyes had been all night. I didn't. But I didn't step back either. I stood in the space between choosing and retreating and let him see that I was there.

He walked away. I watched him go. The back of a man disappearing into January cold, and my chest ached in a place I'd been pretending didn't exist—a place that wasn't my sternum or my stomach or the base of my spine. Somewhere deeper. Somewhere the heat couldn't reach because it wasn't heat at all.

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